Compositions of Carnatic Music
The
tunes are alluded to as kritis or keerthanams.
A considerable lot of these organizations are a couple of hundreds of years
old. The most vital of the authors are Saint Thyagaraja, Muthuswamy Dikshitar
and Syama Shastri, who are together called 'The Trinity'. They lived in the
eighteenth century and introduced another period in the historical backdrop of
Carnatic music through the assortment and differences in their pieces. There
are various other unmistakable arrangers whose sytheses are similarly
important. Purandara Dasa, Annamacharya, Arunachala Kavi, Bhadrachala Ramadas,
Oothukkadu Venkata Kavi, Maharaja Swati Thirunal, Harikesanallur Muthaiah
Bhagavatar, Papanasam Sivan, Gopalakrishna Bharathi and the rundown goes on.
Typically the organizations are in South Indian dialects like Telugu, Tamil, Kannada,
Malayalam and Sanskrit. Every so often a Hindi Bhajan or a Marati Abhag is
additionally sung towards the end of a show.
More
about the format of a Carnatic music concept
- Varnam
- Kritis
- Sub-main item
- Chauka kala kriti
- Main item
- Thukkada
- Mangalam
After
having covered the various aspects of manodharma sangeetham, lets now try to
familiarize ourselves with the items presented in a regular carnatic music
concert. The present day kutcheri
structure, followed by most musicians, is a format
given by the legendary carnatic music vocalist, Shri Ariyakudi Ramanuja
Iyengar.
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